Making of an anthem

What happens if we mix John Deacon playing the bass, Roger Taylor as the drummer, Brian May playing guitar and the voices of Freddie Mercury and David Bowie? The answer is this:

It all started when the band moved to Montreux in order to recording their new album. One day they hanged out with David Bowie, who by then was living there. They talked and improvised some things until they thought of recording something for the new album. But they didn't know how to start and it was then when John Deacon got the idea of that bass line, after that they went out of the studio for having lunch and when they returned Deacon didn't remember that bass line but Roger Taylor did. Then they started with the rest of the song. They had lots of ideas but someone had to hold back and in this case was Brian May, who didn't use to do that. 

When they started to record the lyrics they organized so that Freddie singed a part and later Bowie, by doing that Bowie had to make a continuation to what Freddie sang previously. Freddie was amazed because Bowie knew exactly how to continue Freddie's part. But what Freddie didn't know was that Bowie was at the door hearing what Freddie was singing so he could be able of continue all the time. Another contribution of David Bowie to the song was those claps and finger snaps.

This song is actually one of the greatest hits of both Queen and David Bowie careers and that bass line has been used in other songs lately. It was a perfect cocktail for one of the greatest songs ever.

Senna

In 2010 was released a film called "Senna". The film's narrative focuses on Senna's racing career in Formula One, from his debut in the 1984 Brazilian Grand Prix to his death in an accident at the 1994 San Marino Grand Prix, with particular emphasis on his rivalry with fellow driver Alain Prost. It relies primarily on archive racetrack footage and home video clips provided by the Senna family, rather than retrospective video interviews, and has no formal commentary.

The film begins with Senna's arrival into Formula One during the 1984 season, briefly covering his time at Toleman and Lotus before concentrating on his time with the British team McLaren  and becoming a World Champion. The drama of this period of his career centers on his rivalry with his team mate Alain Prost, and his political struggles with the then head of FISA Jean-Marie Balestre.

The film portrays the increasingly complex dynamics and tumult that characterized Senna's years as world champion, his battle to improve his sport's safety, and his reactions as he witnesses accidents and eventually the death of Austrian fellow-driver Roland Ratzenberger the day before his own.
 
The film give us a great vision of what this man was, not only for the formula one fans but for Brazil. It shows his greatness as driver and how he was as human being. It show us the driver, the man, the legend.

When you're Strange

"When You're Strange" is a 2009 documentary about The Doors. It is written and directed by Tom DiCillo and for the first time makes material from Jim Morrison's 1969 film fragment "HWY: An American Pastoral" publicly available.

It is a weirdly gripping documentary about the Doors, composed entirely of archival footage of the band in the studio, on stage, and most rivetingly of all backstage, overlaid with a narrative voiceover by Johnny Depp. Director Tom DiCillo is relatively incurious about the bands' mundane professional and romantic lives, perhaps for fear of importing an injurious Spinal Tap irony. But his film material of Jim Morrison is sensational – particularly a quite extraordinary sequence in which Morrison is mingling with fans out front, at an open-air concert in which the Doors are opening for the Who. Deadpan, Morrison coolly flicks through a souvenir programme packed with photos of those less pulchritudinous rock gods Roger Daltrey and Pete Townshend, repeatedly asking its awestruck salesperson how much the programme costs – all the while an infatuated admirer paws at his hair. It is gobsmacking to watch Morrison on stage, surrounded by redneck cops, there theoretically to keep order, but openly hostile to this beautiful freak.

 

The history of an style

Gōjū-ryū , Japanese for "hard-soft style," is one of the main traditional Okinawan styles of karate, featuring a combination of hard and soft techniques. Both principles, hard and soft, come from the famous martial arts book used by Okinawan masters during the 19th and 20th centuries, the "Bubishi".  Gō, which means hard, refers to closed hand techniques or straight linear attacks; jū, which means soft, refers to open hand techniques and circular movements.

According to legend, the Zen Buddhist monk Bodhidharma travelled to Hunan province in China around 500 A.D. He spent nine years in the Shao Lin temple, whereafter he started to teach different breathing techniques and physical exercises to the monks of Shao Lin. He also explained to the monks how to develop their mental and spiritual strength, in order to endure the demanding meditation exercises. Bodhiharmas teaching is considered as the birth of chinese kempo. When kempo is spread throughout China, it is divided in two main styles, the Northern and the Southerns style. The Northern style was characterized by straight and hard techniques, while the Southern had circular and softer techniques.The kempo techniques were often inherited within the family as a well-preserved secret.  

During the 14th century kempo is introduced into Okinawa. It wins popularity and is trained as an art of self-defence, under the name of "tote". When Japan invades Okinawa 1609 the ban of carrying weapons, first pronounced by king Sho Shin in 1477, continues, but the Japanese also bans the practise of martial arts. Consequently, the Okinawans must continue with martial arts in secrecy. During the next three centuries the martial art develops into its own character and is called 'Okinawa te'. It is split into three main styles: Shuri-te influenced by the hard techniques of kempo and characterized by an offensive attitude. Naha-te influenced by the softer tehcniques of kempo including breath control and 'ki'. It was characterized by a more defensive attitude with grappling, throws and locking techniques. Tomari-te influenced by both the hard and soft techniques of kempo. In the ending of the 19th century Shuri-te and Tomari-te were subsumed under the name Shorin ryu, which during the years has developed into several slightly different styles. Naha-te becomes known under the name Goju ryu (the hard and soft style) and has remained basically unified.

Higaonna Kanryo Sensei was born in the city of Naha in 1853. As a youth he began learning kempo and very quickly became a master martial artist. 1868 he travels to Foochow in China. After some time he is introduced to the kempo master Ryu Ryuko and is finally, after a long period, accepted as Ryukos personal disciple. Higaonna Sensei stays with Ryuko for fifteen years and becomes Master Ryu Ryukos most skilled disciple. Higaonna Sensei returns to Okinawa 1881. His fame as a martial artist quickly spreads and the Okinawans soon realize that the martial art of Higaonna Sensei exceeds anything they've seen before. Higaona Sensei opened his house as a dojo and continued to teach until his death in 1915. He is today honoured as the founder of Okinawan karate.

The founder of Goju ryu karate, Miyagi Chojun , was born at Okinawa in 1888. At the age of twelve he started to train karate for Aragaki Ryuko Sensei. At the age of fourteen he was introduced to Higaonna Kanryo Sensei and was eventually accepted as Higaonna Senseis personal disciple. Together they devoted their lives to improvement and advancement of Naha-te, until Higaonna Senseis death in 1915. After his masters death Chojun Miyagi travels to China to develop his knowledge of the martial arts. After his return to Okinawa he begins to teach in his home, where he turns the garden into a dojo. He put a great effort in to spreading his knowledge, the ambition being to give karate the same status as judo and kendo. In 1933 the karate was offically accepted by Butoko Kai, the Japanese centre for martial arts. After WWII Miyagi Sensei begins to teach karate at the Police Academy of Okinawa and also at his home, among his students were Miyagi Anichi Sensei, and Aragaki Shuichi Sensei, whos grandfather introduced Miyagi Sensei to Higaonna Sensei. Students who trained before the war, such as Yagi Meitoku and Miyazato Eiichi, would come occasionally to pay respects. In his last years Miyagi Sensei devotes his time to pass on his heritage to future generations and chooses Miyagi Anichi Sensei as his personal disciple. Chojun Miyagi Sensei's life was devoted to karate. He structured the system of Naha-te, adapted it to the demands of modern society and made it available to the public.

One of Chojun Miyagi Sensei disciples, Jinan Shinzato, was once on mainland Japan to demonstrate Naha-te. After the performance he was asked to what school of karate he belonged. He was unable to answer the question, since 'naha-te' was not the name of a style. At his return he told Miyagi Sensei about the occurence, who thought about the problem and decided that it should be advantageous to have a name for his martial art system in order to promote and spread it. He choosed the name 'Goju ryu' (the hard-soft style), inspired by the "Eight precepts" of Kempo, written in the Bubishi. 

Anichi Miyagi was born in the city of Naha in 1931 and began to train for Chojun Miyagi Sensei at the age of 17. He devoted all his time to study and train Goju ryu and is later appointed as a personal disciple of Chojun Miyagi Sensei. He is the only student that is taught the complete system of Goju ryu. He follows the tradition and teaches the complete system of Goju ryu to only one student, Morio Higaonna Sensei. 

Morio Higaonna Sensei, 10th dan and Saiko Shihan of the International Okinawan Goju-Ryu Karate-Do federation (IOGKF) , was born in 1938 in the city of Naha. He began his training at the age of 14, and at the age of 16 he began training in Goju-Ryu under the guidance of Miyagi Anichi Sensei. From this stage on Morio Higaonna dedicated himself to the training and practicing of Goju-Ryu. After having being taught by good instructors, his fascination with karate led him to devote his entire life to enrichment of the spiritual depth and virtue of karate. In 1960, at the age of 21, he moved to Tokyo to study commerce at Takushoku University. He was invited to teach at Tokyos Yoyogi dojo, where he soon attracted a large following of dedicated karate-ka. Higaonna Sensei taught at Yoyogi dojo until 1981. During this time he established IOGKF, which is now established in 40 countries world-wide. Training has always been the the central theme of Higaonna Senseis life. He has never sought the limelight in the martial arts and his reputation is simply the result of of his superb skills and mastery of his art - a mastery which is only exceeded by his genuine modesty and humility.